Tools and Tips

Test Blocks +/-

I have never been big on making test blocks. I just bought a little more fabric in case one of my first blocks needed to be redone. I actually cannot remember making a test block before. I always was too eager to get started with the project to take the time. And I didn’t know what to do with the finished test blocks.

My latest project, the Singapore Sling quilt, was going to be made with these new templates that my daughter 3D printed. She wanted to make sure they were accurate. My first thought was I would use some scrap fabric to make sure they work. However, I knew I had extra of the Good Vibes fabric designed by Christa Watson for Benartex, so I decided to try a test block with the fabric I planned to use for the quilt (this may sound basic to you, but it was a novel idea for me).

I carefully laid out one block and realized immediately that both my background and foreground fabrics were directional. I tried to line up the templates so the fabrics would be straight and I cut them out using the templates. Then I carefully pinned and sewed the block.

It took me about 15-20 minutes total and I learned a lot of valuable lessons:

  • The templates work and appear the be the correct size.
  • If I cut the fabric to keep the pattern straight, all of the cuts are on the bias.
  • It is really hard to get the fabric pattern perfectly aligned for this block. And I don’t like the look when it is off.
  • The tight curves are really tight – I ended up trying glue basting for them and it worked like a charm.
  • I will need to be very precise in my seam allowances.
  • I need to starch the fabric before cutting and before piecing. The fabric distorted a little with the curves. You can see below that the line does not fall perfectly straight.
  • I may need to slightly trim the blocks to get them all square and perfectly the same so the quilt top lays flat.
  • I like the finished look of the diamond.
  • There is enough contrast between the foreground and the background.

Because I learned so much making the first test block, I decided to do a second one keeping one edge of the template on the straight of grain. I like the scrappy look and it was much easier to cut out.

What did I learn? There are some excellent reasons to make a test block, especially if the equipment or techniques are new to you.

Of course this leads to a new question – what do you do with test blocks? Let me know what you do with them and we will address that in another post!

Patterns and tutorials

Inset Circle Tutorial

The project I have been working on has seven inset circles. While I love the look, it can be overwhelming. The project is designed to teach curves and help quilters overcome their fear of curves and inset circles. After making all my circles and fitting them into the quilt, here is my approach to inset circles and all of the tips I can think of to take the fear out of circles.

TIP: Take your time. Making inset circles is not fast. You will get a bit faster as you get more comfortable with them, but it is not fast. Put on some non-distracting music, take a deep breath and take your time.

TIP: Use a lot of starch. I find that if the fabric is not starched enough, it distorts more when I sew the inset circle.

I start by heavily starching both the background and circle fabrics. For this tutorial, I will be making a 10 inch finished circle, set into a 10.5 inch block. Cut an 11 inch square of the circle fabric (off-white) and a 12 inch square of the background fabric (aqua).

I really like this EZ Circle Cut template. But you can use any half or quarter circle that is accurate. For a 10 inch diameter finished circle, you will cut a 9.5 inch circle out of the middle of the 12 inch square. On this template, you fold the fabric in half, put the fold on the fold line and cut at the 9 inch groove.

The circle fabric needs to be bigger than the cut out from the background. For a 10 inch diameter finished circle, a 10.5 inch diameter circle needs to be cut. On this ruler, you fold the fabric in half, put the fold on the fold line and cut at the 10 inch groove.

Once your background and circle are cut, fold each separately into equal quarters and press lightly with the iron to mark the quarters as you can see below.

Start by folding the background fabric so that the fabrics are right side together and the circle is laying flat. Pin the quarter marks of the background to the quarter marks of the circle.

Then pin around the circle to make sure that the fabric is equally distributed and is not pleated or kinked. Pin from the background side.

TIP: I find that fine or very fine pins work best.

Some people swear by glue basting instead of pinning, but it has never worked well for me.

I find that it works best if I sew with the circle side down. Bernie, my sewing machine, is set up so the needle stops in the down position, and with the stitch length at 2, slightly shorter than the usual 2.5 stitch length. I always check my bobbin and my tension before I start sewing a set-in circle.

Stitch slowly until you come to the first pin. Pull the pin, use your finger to check that the fabric is laying flat, and slowly stitch to the next pin. Repeat all the way around the circle.

Secure your stitch at the end by backstitching or taking a number of tiny stitches.

After sewing, clip the seam allowance no more than 1/2 of the way to the seam. I usually clip about every inch around the circle.

After clipping all the way around, finger press the seam allowance toward the background.

Then press lightly all the way around, making sure the seam allowance is toward the background.

Then I spray the circle with water and press heavily to remove the quarter lines and finish the block.

Once the block is pressed and cooled, remove from the ironing board and take to the cutting board.

Measure 10.5 inches square, leaving 1/4 inch seam allowance around each side of the circle, as shown above. Trim.

That’s it – you now have a 10.5 inch block with a 10 inch diameter inset circle. It will make a 10 inch finished block with a fully inset circle.

Patterns and tutorials

Double Mitered Borders Tutorial

A friend recently shared that one of her quilting goals for 2021 is to master the mitered borders. I have found that making multiple mitered borders is just as easy as a single border, so I thought I would share my process with you.

Step 1: Sew the inner border pieces to the outer border pieces using a scant ¼ inch seam. The top/bottom borders should be the width of the quilt + twice the width of the border +1 inch. For example, if the quilt is 50 inches wide, the inner border is 1 inch wide and the outer border is 4 inches wide the length of the top/bottom borders should be 60 inches: 50 + (2 x 1 inch) + (2 x 4 inches) + 1 inch = 50+2+8+1. The right/left side borders should be the length of the quilt + twice the width of the border + 1 inch.

Press the seam allowance of two strips toward the inner border (place on sides of quilt) and two strips towards the outer border (place on top and bottom of quilt).

Find the center of each border unit by folding it in half. Mark with a pin. For top/bottom borders, measure 1/2 the width of the quilt on either side of the center mark and pin. Then fold the end pin to the center pin to find the quarter mark and mark with pins. You should have five pins. For example, if your side is 25 inches the pins would be placed like this:

Step 2: Pin the quilt top and borders.

Find the center of each side, the top and bottom top and mark with a pin. Find the midway point between the center and end on either side and mark with a pin, as above. Align the center and quarters of the border with the centers of the top and pin at marks. Align end point of top with outer pins on border strip and pin. Pin rest of borders to top.

You should have border fabric left on either end of the quilt top.

IMPORTANT – Mark the quilt top on the wrong side with a dot 1/4 inch from each corner. Start sewing at one 1/4 inch mark and stop stitching at the mark ¼ inch before the end of the top. Backstitch at beginning and end of seam one or two stitches. Sew all four border pieces to top leaving ¼ inch unsewn on each strip at every corner.

Press seams toward the quilt top.

Step 3: Making the miter.


Lay the quilt on ironing board with the finished side down (A). Fold quilt diagonally as shown (B) so the back side of the quilt is showing (C). NOTE: the A1, A2, B1 and B marks on the illustration are for reference only, you do not need to add these marks to your quilt. Line up the borders from the two sides aligning the marks 1/4 inch from the edge of the quilt top (C).

Align the border strips. Mark the border at a 45 degree angle, as shown (C). Pin, matching creased lines and seams. Slowly machine baste from backstitching point to outer edge of quilt.

Press seam open and check accuracy with 45-degree rule. If it is accurate, sew over basting stitch , from backstitching point to outer edge of the quilt. Remember to backstitch one or two stitches at beginning and end of this seam because it will be the outer edge of the quilt. Remove basting stitch. Trim the seam allowance to approximate ¼ inch. Repeat this process for the other three corners.

That’s it – a double mitered border!


Quilting Goals for 2021

As we are coming to the end of 2020 (a year we all want to end), I am thinking about my goals and plans for 2021. At this point in my quilting life, I have two kinds of quilting goals – personal goals and business goals. I try to limit myself to three of each. My first personal goal is to complete three 100-day quilting projects in 2020. I find having a project that only requires a few minutes a day, but that leads to a complete quilt top in 100 days is an awesome way to keep my momentum quilting. The act of sewing a few minutes a day has also become important in taking care of myself. I spend a few minutes doing something I want to do, no matter how crazy life gets. My second goal is to address my UFO list. I want to get it down to no more than 3 UFOs and up to 3 works in progress (WIPs). I actually cleared four projects off since the beginning of November, one by finishing, one by reworking, one by sending it to a long-arm quilter, and one by sending it to our service quilters to finish and donate. I am combining my first two goals by moving forward on my Irish Chain Quilt. This was listed as my Quilt-Your-Weight-Off quilt. When I thought about it, I realized that while I have lost (and maintained) 35 pounds, and I may lose more, I am not likely to get to the 121 pounds needed for the 11 by 11 blocks in the quilt design. I really love the traditional double Irish chain and the fabrics, and I have 45 blocks done, so I can do one or two blocks a day for 100 days and finish the top!

My third personal goal is to complete one of the cruise-inspired quilts. I have a design in mind. And I know I can break it down into a 100-day project. You will hear more about it later in 2021.

My business goals are easier in some ways because I know I need to stay flexible with them. If I have learned nothing else in 2020, I have learned that flexibility is an absolute necessity. My first goal is to post on this blog at least four times a month. I would love to say I will blog faithfully every week, but I know I may miss a time or two. I hope you will bear with me when I have busy weeks. I also hope to get more tutorials posted.

My second goal is to publish at least three quilt patterns. I have two already in mind and I think that planning on one more is reasonable. It doesn’t matter if I self-publish or if they are published elsewhere – I just want to get them from my head out into the world. One will certainly be the Singapore Sling pattern I submitted to EQ8. I have all of the fabrics, so this will be a priority.

My last goal is to work on one technique I need to improve to make some of the quilts I have in mind. There are a lot of skills I need work on – free motion machine quilting, foundation paper piecing, hand piecing, hand applique. I am leaning towards focusing on foundation paper piecing, but hand applique is also something I want to learn soon.

I have no doubt this will keep me plenty busy, along with my jobs and my family. I am definitely looking forward to what 2021 will bring.

Do you set quilting goals, or do you work on projects as they arise?


Reflecting on Quilting in 2020

One year ago, none of us could have imagined the year that we have had. In January, my husband and I took a Caribbean cruise (that he won) and I took dozens of pictures to plan a quilt or two to commemorate the trip. Little did we know that would be our last trip for a long time.

While my day job has been busier than ever during the pandemic, I have been on full-time telework. Which means that the 5-7 hours a week I formerly spent commuting have been available for quilting. A year ago, my goal for 2020 was to plan and contract for at least one guild presentation (which I did), and to write up my Tree of Life wall hanging pattern (which I also did). I had not planned on getting Better Done Quilts launched as a business, or of getting this website up and running. I certainly didn’t plan on the EQ8 October Design Challenge win.

I started the year with a plan of taking one day a month for quilting. Not piecing, quilting. Whether done on my Bernina or renting time on the long arm at my local quilt store, I would spend the second Saturday each month finishing the tops I had sitting around. Appropriately, my first quilt finished for 2020 was a top I pieced in 2019, Everything Old is New is Old Again.

Everything Old is New is Old Again – Picnic Petals Pattern by Sheri Cifaldi-Morrill 2020

I started piecing this in a workshop with Sheri from Whole Circle Studio at Mid-Appalachian Quilter’s Annual retreat. I loved the modern take on the traditional flowering snowball block. I chose old fashioned colors and prints to coordinate with another quilt I have, so I could use them in my guest room. The top was done, and I spent time in January quilting it. The quilting is simple, but I love the way it turned out.

My next two quilts of 2020 were baby quilts for family. I forgot to get a picture of the first quilt before I sent it, but the parents were kind enough to send this one. The quilt was on their doorstep when they brought the baby home. This one is particularly meaningful because the medium green fan print is from my mother-in-law’s fabric stash. I kept a box of her fabrics and I include some in special quilts for her grandchildren and great-grandchildren.

The next baby quilt was the first quilt I designed using EQ8. Bunnies for Belinda is a fun, gender neutral quilt. The mother’s favorite colors as a child were lime green, orange and purple. I tried to design a quilt with these colors that did NOT look like a Halloween quilt. I think this quilt succeeded. The purple fabric is rabbits, which is fitting because we raised rabbits. It is also quilted with bunnies (quilting by Sesvold Designs).

The first weekend in March, which was the last weekend that I was not in quarantine or pandemic lockdown, I used the longarm to finish my daughter’s T-shirt quilt.

I started collecting T-shirts for all my kids when they were young. I planned to make them each a T-shirt quilt when they graduated from high school. None of them got them as graduation presents, but I am slowly working my way through the box of T-shirts. This one had clear ideas of what she did and did not want in a T-shirt quilt. She selected the batiks and helped me lay out this extra-extra long twin quilt. She also wanted a “fun” back, so it would look good no matter which side was up.

This quilt definitely has a “party in the back”. I ran short of the purple and teal batiks and finished up with similar fabrics from my stash.

I also finished “Mai Tais on the Lanai”. I won a pack of Island Home batiks designed by Natalie Barnes for Anthology Fabrics in September 2019. I designed the first of my “cocktail quilts” using the Drunkard’s Path block. I only used fabrics from the collection and the only fabric I purchased was for the border and binding. The back is pieced with the fabrics in the collection that were left over from the front. This has become my TV watching quilt.

Next I turned to my guild small group challenge. We decided in 2019 to make 2020 challenge quilts. They needed to be 20 inches square, use black, white and one color (no gray) and somehow include “20”. It could be 20 items, the number 20, etc. I am a nurse, and 2020 is the Year of the Nurse and the Midwife, as well as being the 200th anniversary of Florence Nightingale. I decided to honor Florence’s contributions to nursing with my quilted portrait of her.

I am really proud of this little quilt. It was a real stretch for my skills. It is raw-edge applique based on a photo and poster. The hardest part was replicating Florence Nightingale’s signature.

Next was “From Every Direction”, which was described in my last post.

Then I decided to write up the Tree of Life pattern, so I made the Triadic Tree with fabrics I had selected for it about a year ago.

This is the point where I started the blog, so you have already heard about my Mama Bear jacket and “Which Way?” quilts. I have a couple of other quilt tops I made this year in 100-day projects. I finished one other small quilt, but it is for the Modern Quilt Guild mini-quilt swap, so it is a mystery until we exchange quilts in 2021.

2020 was also the year of the masks. All together I have made nearly 100 masks, and continue to make them as they continue to be needed.

While this year has certainly been filled with the unexpected, it has not all been bad. I have finished some big projects and started a few more. My most important quilt accomplishment has been getting Better Done Quilts launched and publishing my first pattern. I hope you had a productive quilting year, and that you stay safe and healthy in 2021!



Today I got notification about my QuiltCon entries. Last year, I submitted two quilts for two different shows. The one I thought would be accepted, AnteMeridiem, was rejected for QuiltCon2020.

Ante Meridiem – Original 2019

The one I entered as a lark, Tree of Life, got accepted for American Quilters Society Lancaster show. Unfortunately, COVID-19 cancelled that show, so while it was accepted, it was never shown.

Tree of Life – Original Design 2019

This year, I submitted four quilts to QuiltCon. Which Way? was my entry for the Modern Quilt Guild 2021 Fabric Challenge.

Which Way? Original Design 2020

I’m not in love with this quilt and I’m not at all upset that it was rejected. In fact, I would not accept it. The spacing is off. I had a great idea, but couldn’t execute it. This is what I did with the pieces left over. I have found that it is the perfect size for a lap quilt at my desk, so it is getting a lot of use.

My second entry was my Triadic Tree of Life.

Triadic Tree – Original Design 2020

While this is not screaming “modern”, I thought the colors brought it up. Again, I’m not upset it didn’t get selected. I didn’t think it really fit the esthetic of QuiltCon.

My third quilt was From Every Direction.

From Every Direction – Original 2020

This is my coronavirus quilt. I made it as part of a challenge from my local quilt store, Capital Quilts. They sent small amounts of fabric to people who accepted the challenge and we needed to make a quilt reflecting on coronavirus using the fabric. The twist was that each quilter got a different fabric. I was sent the orange and yellow print at the top and bottom of the back. I only used materials I had at home, with the exception of that print.

I am sad this one was not accepted. It may not be technically difficult, but it is striking visually and to me it has come to represent the chaos of information about COVID-19.

My fourth submission was AnteMeridiem again. I had heard from other quilters that a rejection to QuiltCon did not mean it was not a modern quilt or that it was not good, just that they did not want it for that show. So I tried again. I took new photos with better lighting. I included pictures of the back, corners and details, as requested.

Ante Meridiem 2019 back
Ante Meridiem 2019 corners
Ante Meridiem 2019 detail
Ante Meridiem 2019 detail

This quilt is very personally meaningful. Changes in the color of the sky from midnight until noon were the inspiration for this quilt. Each strip represents 15 minutes, and each quilting line represents five minutes. The time of nautical, astronomical and civil dawn and of sunrise varies with the time of year and the latitude. I researched the times based on the latitude of Madison, Wisconsin on June 18, 1981, which is where and when my husband and I began our romantic relationship.

Amazingly, this year, Ante Meridiem was accepted and will be displayed in QuiltCon 2021!

This is a huge step for me – it will be the first time I have a quilt displayed in a juried show. I am really excited, and humbled. I don’t think my work is “good enough” to be in a show. I see all the flaws, corners that don’t match and things I would do differently. I was sure the holes in the corner from the push pins I used to display this quilt would keep it from being considered. But I am glad that someone sees something interesting in my quilt. I am looking forward to QuiltCon Together in February. I will let you know how it goes.

Wednesday Wisdom

Deadlines Met and Missed

I am driven by deadlines. I have regular deadlines in my profession and I work hard to get everything submitted on time, or better yet, early. I have found that having a deadline for a quilting project helps me get it done. The projects without deadlines are the ones that turn into UFOs. This month I had multiple deadlines come together. I had a big project at work, papers to grade from my class, QuiltCon submissions due 11/30, my One Monthly Goal, and St. Nick’s gifts I was making for my (adult) kids.

I am used to juggling a lot of deadlines, but then I had one unexpected quilty deadline thrown in just before Thanksgiving. I can’t tell you more about it yet, but it meant pushing back my other quilting projects by 2-3 days. While that doesn’t sound like a lot, it was 2-3 days I planned on spending on other projects. I was committed to submitting to QuiltCon because I accepted the fabric packet for the Modern Quilt Guild Floral and Vine Fabric Challenge. By accepting the packet of these lovely fabrics, I agreed to submit a quilt. The rules were simple – I needed to use 3 of these 4 fabrics, could add any solid I wished and any size up to 440 inches in diameter.

Because this challenge involved a promise to someone else, I prioritized it over my One Monthly Goal, which is a promise to myself.

I cannot tell you how many times I tried to figure out what to do with these fabrics. I ordered coordinating solids and cut out a great Mariner’s Compass, then realized I cut the wrong pieces in the wrong colors. I was determined not to buy more fabric, so I redesigned the Compass with the fabrics I had. Then I tried to sew the Compass together, but I used templates that didn’t work well for me and it was not laying flat. So I cut it into pieces.

I tried to use the extra pieces I cut in improvisational blocks, but they didn’t work. I set it all aside and worked on a couple of other projects, and put time on my calendar to figure it out. I finally decided to work off of the compass idea and made some arrows and a kind of a road. Here is the final quilt, named “Which Way?”:

Which Way?

I can’t decide which way should be up on this one.

I spent the day after Thanksgiving on my St. Nick’s gifts, and the rest of the weekend on the Which Way? quilt. Which meant that my One Monthly Goal of finishing the quilting on this table runner didn’t happen.

I thought about working on the table runner, Monday after work, but I was very tired, and could not get the runner completed by midnight. So I decided to let it go. It is unusual for me to miss a deadline, but I am glad that I decided to take care of myself and get some rest. The table runner will get done (eventually) and I will be happy to use it next fall.

How are you with deadlines? Do they motivate you? Make you nervous? Or do you just avoid them?

Tools and Tips

Where Do You Iron?

Since 1992, I have used my mother’s ironing board.

She bought it about 50 years ago and it was the Cadillac of ironing boards. It is heavy-duty and heavy. It was corded with an outlet on the board, and has a springy guide to hold the iron cord away from fabric. Over the years, the cord got cut off. I always tuck the springy guide under the board because it drives me crazy. Mostly, I get frustrated because it is not wide enough and the angled end means my fabric never seems to get fully ironed.

After a lot of research, I decided that I wanted an ironing station with storage. I looked at all of the Pinterest ironing stations and I even considered buying the Singer Ironing and Crafting Station, but at $350, I thought I could figure out something that was less expensive. I bought a 15-drawer rainbow drawer organizer, a 3/4 inch sheet of plywood that is 2 foot by 4 foot, Insulbrite, 100% cotton quilt batting, and silver ironing board cloth. All together I spent less than $120 (not counting what my husband spent for a new hammer stapler).

I brought it all home and left it in the living room, because work got crazy and I didn’t have time to put it together. Enter my husband, the hero! He put together the drawer unit, rounded and sanded the edges of the plywood so the corners would not wear through the fabric, and created these cool latches that hold the board onto the drawers, but can be easily turned to remove the board for storage (as if I will ever put my new ironing station away).

This weekend, we decided to work together to get the board upholstered. I started with a layer of Insulbrite to protect the board and reflect heat back up to the fabric. Then we put on 2 layers of 100% cotton batting.

My husband was using a hammer stapler to staple everything down. He didn’t want to catch my fingers, so on the corners, we used tape to hold the miter in place until he stapled it.

Finally, we stretched the fancy silver ironing board fabric on top.

Doesn’t it look great!

It is about 1 inch higher than a normal ironing board, but I am on the tall side, so I don’t mind. And it is 24 x 48 inches so I can iron the full width of a cut of fabric. I can get a sharp press on it. And check out all that lovely fabric storage. Fifteen color-coded drawers. I have already started moving my scraps from shoe boxes randomly placed around my room into this neat stand. There is even room for my power bar between the cart top and the board!

I am SO grateful that my husband put everything together and made my new ironing station happen. Happy ironing and pressing!

WIPs and PhDs

Making Old Things New

Let me start by saying that I didn’t want to do a “rework” project for UFOvember. When Bobbi Gentili from Geeky Bobbin sent the sign up sheet, I was on vacation and by the time I got home, the only slots left were for “rework” or “rehome”. I knew I didn’t want to give any of my UFOs away, so I signed up for “rework”.

I knew exactly which project I would work on. These 25 quilt blocks were first made between 1992 and 1995. The original plan was for a king-sized Bear’s Paw quilt for our bed with cream sashing and cornerstones. I finished all of the blocks, started sewing some sets of two together with sashing before I got busy, packed all of the blocks and the fabric in a large paper bag and set it aside in our basement. (Note, that was before 1995 and I still do not sleep under a quilt I have made!)

Unfortunately, around 1999, we had a 100-year flood in our town and sewage backed up into our basement. Yes, the same basement where I stored a paper bag full of cream, navy, blue and green fabrics with my blocks.

It took a few days to find the bag and we promptly threw all of the fabric in the washing machine on the hottest water to disinfect it. At the time, we were washing every piece of clothing and fabric we found, so it was quickly washed, dried and put into a plastic bin. When I got around to looking at it, the navy had bled onto the cream on almost all of the squares. Here are a few examples:

I really loved some of the fabrics in this quilt and I wanted to find a way to redeem and reuse these blocks. So I sorted them, pressed the blocks and the fabric, and put it in a bin until I decided what to do with it. Over the years, I raided the bin and used the navy border fabric for other projects. When I needed a patch for a quilt made with fabric that matched one of the blocks, I snipped it out of a block because the washed and worn block was a closer match to the quilt than the new fabric.

When I pulled out the box, I had 25 blocks (including the one with a square missing and these fabrics:

So, I decided to make a quilted jacket. My style is pretty tailored, so I took this jacket pattern, which I already had at home.

I cut out some oversized backing pieces from plain muslin, then fitted quilt squares to them. I used some of the existing sashing strips to extend key parts of the pattern. I also discovered that when quilt squares have been washed, they create these lovely nests on the back.

I had a nest this size for every couple of squares.

I decided to quilt a chevron on the back center panel, cross hatching on the front and back side panels and the sleeves, and angled lines on the front center panels.

I even got my serger out – I don’t think I have used it for at least 5 years!

I finished it with facings cut from the border prints. On the straight hems at the bottom and for the sleeves, I did a wider border print.

For the facing around the neck, I cut a narrower strip to accommodate the curve of the neckline.

I like the overall look, but it is still stained. (Check out Bruce the cat in these photos, when I am turned to the back, so is he!)

I decided to overdye the whole coat.

I wasn’t sure I could get this done in time because as of Monday noon, the dye hadn’t been delivered. But it came in the afternoon, so after dinner I boiled up some water and had a dye party.

At one point, I was very worried that it would come out dark blue, but I got the effect I wanted. Here are some pictures of the finished coat.

Floral border print for facing

I carefully used Aurifil 100% cotton threads so they would dye the same as the cotton fabrics. You can see above that the serger thread was not all cotton and stayed cream-colored.

I like the subtle color and you can’t see the stains anymore. I may add buttons, but I am declaring this a FINISHED project!

Check out all of the other great UFO blogs this month to see other ideas for cataloging, resuming, reworking and rehoming your UFOs:

Sunday 11/1Bobbi GentiliThe Geeky Bobbin
Monday 11/2Becca FenstermakerPretty Piney Quilts
Tuesday 11/3Joanne KertonCanuck Quilter Designs
Wednesday 11/4Sue GriffithsDuck Creek Mountain Quilting
Thursday 11/5Ashli MontgomeryStorytelling Tees
Friday 11/6Anne BoundySaid With Love
Saturday 11/7Sarah RuizSarah Ruiz Quilts
Sunday 11/8Teresa WeaverYour Sewing Friend
Monday 11/9Karen BrownJust Get it Done Quilts
Tuesday 11/10Bobbi BridgemanSnowy Days Quilting
Wednesday 11/11Raylee BielenbergSunflower Stitcheries and Quilting
Thursday 11/12Althea GydeBlue Heron Quilting
Friday 11/13Kenzy HoganSewing Corals
Saturday 11/14Leann ParsonsDevoted Quilter
Sunday 11/15Jessica CaldwellDesert Bloom Quilting
Monday 11/16Laureen SmithTourmaline & Thyme Quilts
Tuesday 11/17Karen KehlBetter Done Quilts
Wednesday 11/18Stacey HTwo Terriers Studio
Thursday 11/19Cinzia WhiteCinziawhitedesigns
Friday 11/20Laura PilandSlice of Pi Quilts
Saturday 11/21Rachel MThe Barefoot Crafter
Sunday 11/22Kathryn LeBlancDragonfly’s Quilting Design Studio
Monday 11/23Judit HajduQuiltfox Design
Tuesday 11/24Lyra McCabeQuilting McCabe
Wednesday 11/25Jill TherriaultStitching in Heels
Thursday 11/26Cristina De MirandaShips & Violins
Friday 11/27Katie StarcherKatie Mae Quilts
Saturday 11/28Valerie PrideauxCozy Funky Cool
Sunday 11/29Kim MastomartinoLine Design
Monday 11/30Natalia KnowltonNerdyQuilter
Patterns and tutorials Uncategorized


I am so excited! This week I heard from the Electric Quilt Company that my submission in the October EQ8 Design Challenge – the Good Vibes challenge, was selected by Benartex as one of this month’s winning designs! You can see the announcement here and the original challenge with all of the entries here. I am particularly excited because I really love the Good Vibes fabric line from Christa Watson (also known as Christa Quilts).

Good vibes bundle from Benartex

I would like to encourage all of you that use EQ8 to participate in some of these monthly Design Challenges. I started trying them in January to learn how to use the EQ8 program my daughter gave me for Christmas, and to practice my design skills. This is the first design contest or challenge that I have ever won, so even though it may seem like a small little thing to you, to me it is a great opportunity.

Aren’t these fun? I can’t wait to get started!

So what does this have to do with UFOs? It gives me another project to get started. And another pattern to write up. This is another of my cocktail quilts based on the Drunkard’s Path block. In this instance it is distorted to be taller and skinnier, so I think it needs a name of a cocktail that fits in the tall, skinny Tom Collins glass. Maybe “Zombie” or “Singapore Sling”. What would you name this quilt?